Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 26
Pagina 6
... appears snowy ; for science this similarity is not even interesting . If we have recog- nized a shape as one fitted for a practical purpose , and our interest is no longer in realizing this shape fully but in using it to stop a hole or ...
... appears snowy ; for science this similarity is not even interesting . If we have recog- nized a shape as one fitted for a practical purpose , and our interest is no longer in realizing this shape fully but in using it to stop a hole or ...
Pagina 146
David Wight Prall. sounds , shapes and rhythms , appear as qualitative charac- ters of material things or of physical ... appears at all only at all only as content for mind or spirit . But more than this , without such content spirit or ...
David Wight Prall. sounds , shapes and rhythms , appear as qualitative charac- ters of material things or of physical ... appears at all only at all only as content for mind or spirit . But more than this , without such content spirit or ...
Pagina 171
... appears . In any case æsthetic analysis as presented in these chapters , guided by the unitary feeling of specific works of art , appears to be the actual knowledge of works of art in general that æsthetic theory as such would take as ...
... appears . In any case æsthetic analysis as presented in these chapters , guided by the unitary feeling of specific works of art , appears to be the actual knowledge of works of art in general that æsthetic theory as such would take as ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words