AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 6
Cotton will suffice ęsthetically for snow , provided that at our distance from it it
appears snowy ; for science this similarity is not even interesting . If we have
recognized a shape as one fitted for a practical purpose , and our interest is no
longer ...
Cotton will suffice ęsthetically for snow , provided that at our distance from it it
appears snowy ; for science this similarity is not even interesting . If we have
recognized a shape as one fitted for a practical purpose , and our interest is no
longer ...
Pagina 146
nsu sounds , shapes and rhythms , appear as qualitative characters of material
things or of physical processes . ... is not anything that exists independently or
appears in experience separately from other things ; that , on the contrary , it
appears ...
nsu sounds , shapes and rhythms , appear as qualitative characters of material
things or of physical processes . ... is not anything that exists independently or
appears in experience separately from other things ; that , on the contrary , it
appears ...
Pagina 171
... needs the readiness and flexibility , the freshness and range , that gives a
margin for perception beyond the present scope of his controlled and surveyed
field ; for it is in this margin that any distinctively original creation necessarily
appears .
... needs the readiness and flexibility , the freshness and range , that gives a
margin for perception beyond the present scope of his controlled and surveyed
field ; for it is in this margin that any distinctively original creation necessarily
appears .
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole