AEsthetic Analysis |
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Risultati 1-3 di 25
Pagina 56
Vast numbers of things in the world have spatial extension , while nothing in the
world but color has hue or what is meant by brightness or darkness as these
terms apply to color . What we are doing is simply to limit the application of the
terms ...
Vast numbers of things in the world have spatial extension , while nothing in the
world but color has hue or what is meant by brightness or darkness as these
terms apply to color . What we are doing is simply to limit the application of the
terms ...
Pagina 173
It should be clear , however , that any sound account of ęsthetic subject matter
would , so far as it defines the whole field , apply to the good and the bad alike ,
and that the distinguishing of them would not be its primary determining function
or ...
It should be clear , however , that any sound account of ęsthetic subject matter
would , so far as it defines the whole field , apply to the good and the bad alike ,
and that the distinguishing of them would not be its primary determining function
or ...
Pagina 185
But to apply these standards not for purposes of discerning what is presented ,
but to judge its value , is clearly misleading . To apply the specific complex
elaborated pattern of a Greek play to anything that happens to call itself a play , to
find ...
But to apply these standards not for purposes of discerning what is presented ,
but to judge its value , is clearly misleading . To apply the specific complex
elaborated pattern of a Greek play to anything that happens to call itself a play , to
find ...
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Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole