Æsthetic AnalysisCrowell, 1967 - 211 pagine |
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Pagina 28
... artists are not en- dowed with mind so much as with a spirit which directly externalizes itself , and that other human spirits , by virtue of their innate humanity , can grasp the spiritual essence thus mysteriously made available . But ...
... artists are not en- dowed with mind so much as with a spirit which directly externalizes itself , and that other human spirits , by virtue of their innate humanity , can grasp the spiritual essence thus mysteriously made available . But ...
Pagina 161
... artist except in the lazy sense in which we are all said to be artists be- cause we have feelings , though we have no skill and no medium by means of which to express them , no art , that is , at all . Even language fails most of us on ...
... artist except in the lazy sense in which we are all said to be artists be- cause we have feelings , though we have no skill and no medium by means of which to express them , no art , that is , at all . Even language fails most of us on ...
Pagina 188
... artistic structures , no one is prepared to apprehend what any work of art of the least complexity presents for ... artists , reverse one another's judgments or even their own , with the pass- age of a few years , it is plain that ...
... artistic structures , no one is prepared to apprehend what any work of art of the least complexity presents for ... artists , reverse one another's judgments or even their own , with the pass- age of a few years , it is plain that ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words