AEsthetic Analysis |
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Pagina 28
It is often supposed that great artists are not endowed with mind so much as with
a spirit which directly externalizes itself , and that other human spirits , by virtue of
their innate humanity , can grasp the spiritual essence thus mysteriously made ...
It is often supposed that great artists are not endowed with mind so much as with
a spirit which directly externalizes itself , and that other human spirits , by virtue of
their innate humanity , can grasp the spiritual essence thus mysteriously made ...
Pagina 168
Since , however , artists are human organisms expressing humanly available
feelings , what stands between us and what they express is , in the case of
contemporary artists , only their more gifted discernment and their greater range .
A very ...
Since , however , artists are human organisms expressing humanly available
feelings , what stands between us and what they express is , in the case of
contemporary artists , only their more gifted discernment and their greater range .
A very ...
Pagina 188
But whether or not a work of art uses one or another sort of constituent pattern ,
has little to do with its expressive character , except as such constituents do or do
not serve to fulfill and specify the artist ' s individual intention . And the form of the
...
But whether or not a work of art uses one or another sort of constituent pattern ,
has little to do with its expressive character , except as such constituents do or do
not serve to fulfill and specify the artist ' s individual intention . And the form of the
...
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Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole