AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 53
Pagina 5
it a little differently , the ęsthetic aspect of experience is that in which , instead of
employing the qualitative surface as a means and taking it for granted , we spend
our whole attentive energy upon discriminating and realizing its full character ...
it a little differently , the ęsthetic aspect of experience is that in which , instead of
employing the qualitative surface as a means and taking it for granted , we spend
our whole attentive energy upon discriminating and realizing its full character ...
Pagina 96
intelligibility of the temporal aspect of verse rhythm , which in turn is one aspect of
verse structure . That verse has a temporal aspect need hardly be argued . And
that this temporal aspect is intrinsically ordered is equally obvious . The nature of
...
intelligibility of the temporal aspect of verse rhythm , which in turn is one aspect of
verse structure . That verse has a temporal aspect need hardly be argued . And
that this temporal aspect is intrinsically ordered is equally obvious . The nature of
...
Pagina 113
But as bar - lines and time signatures help enormously to indicate at least one
aspect of musical rhythm clearly , so the making out of the strictly temporal aspect
of verse as measured and numbered should be a clarification of at least part of ...
But as bar - lines and time signatures help enormously to indicate at least one
aspect of musical rhythm clearly , so the making out of the strictly temporal aspect
of verse as measured and numbered should be a clarification of at least part of ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole