Ęsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 87
Pagina 44
... aspects of quality as are clearly relational , and survey the elements in the orders constituted by such relations . And since we have already seen that these rela- tions are peculiar to certain qualitative aspects of sensuous material ...
... aspects of quality as are clearly relational , and survey the elements in the orders constituted by such relations . And since we have already seen that these rela- tions are peculiar to certain qualitative aspects of sensuous material ...
Pagina 54
... aspects of concretely experienced data , so it is fairly absurd to speak as if qualitative elements and orders were less fundamentally significant in composition than spatial and temporal elements and forms . Our vastly greater ...
... aspects of concretely experienced data , so it is fairly absurd to speak as if qualitative elements and orders were less fundamentally significant in composition than spatial and temporal elements and forms . Our vastly greater ...
Pagina 136
... aspects ( as pitch is not heard except actual sound which has loudness , duration , timbre , and so on ) but which can be imagined and conceived independ- ently of these other aspects , just as they are discerned in and abstracted from ...
... aspects ( as pitch is not heard except actual sound which has loudness , duration , timbre , and so on ) but which can be imagined and conceived independ- ently of these other aspects , just as they are discerned in and abstracted from ...
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absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic surface ęsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words