Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 53
Pagina 8
David Wight Prall. his favorite music has some slight attention left for the comfort of his body and his posture , some vague sense of the direction of exits , a degree of attention most easily raised into prominence by any interference ...
David Wight Prall. his favorite music has some slight attention left for the comfort of his body and his posture , some vague sense of the direction of exits , a degree of attention most easily raised into prominence by any interference ...
Pagina 99
... attention as indicating not merely the interval between the two sounds , but also a second interval , following the second pronouncing of one . And this second interval will be felt as of the same length as the interval following the ...
... attention as indicating not merely the interval between the two sounds , but also a second interval , following the second pronouncing of one . And this second interval will be felt as of the same length as the interval following the ...
Pagina 181
... attention , this required achieve- ment of unity , and to put it in a word that characterizes any or all of the kinds of pattern that could make a pres- entation structurally apprehensible to men and in this sense intelligible as an ...
... attention , this required achieve- ment of unity , and to put it in a word that characterizes any or all of the kinds of pattern that could make a pres- entation structurally apprehensible to men and in this sense intelligible as an ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words