Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 39
Pagina 79
... basic scale structure ; the nature of the pro- duction of a musical sound , with its partials , is another . And it is this natural selection out of an ordered continuum that offers those infinite structural possibilities that have been ...
... basic scale structure ; the nature of the pro- duction of a musical sound , with its partials , is another . And it is this natural selection out of an ordered continuum that offers those infinite structural possibilities that have been ...
Pagina 83
... basic patterns in the more regularly recognized kinds of intelligible form . For general æsthetic theory we must limit ourselves here . We can- not in any brief account , even if — impossibly — we were acquainted with all the works of ...
... basic patterns in the more regularly recognized kinds of intelligible form . For general æsthetic theory we must limit ourselves here . We can- not in any brief account , even if — impossibly — we were acquainted with all the works of ...
Pagina 94
... basic pattern , we may well turn to the temporal order itself and then to some of the basic temporal patterns exhibited by English verse form . A third end may also be served by the present chapter . It will suggest the answer to the ...
... basic pattern , we may well turn to the temporal order itself and then to some of the basic temporal patterns exhibited by English verse form . A third end may also be served by the present chapter . It will suggest the answer to the ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words