Ęsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 48
Pagina xxvi
... basis for composers to develop the major scale . Prall's way of extracting the scale from the overtones is not a hypothesis as to how it evolved histori- cally . He is merely maintaining that its structure relies upon pre - existing ...
... basis for composers to develop the major scale . Prall's way of extracting the scale from the overtones is not a hypothesis as to how it evolved histori- cally . He is merely maintaining that its structure relies upon pre - existing ...
Pagina 59
... basis of which works of art have been constructed . Moreover , artists have had to consider many non - ęsthetic aspects of the physical media that are the bearers of asthetic form and quality . And ęsthetics is forced into considering ...
... basis of which works of art have been constructed . Moreover , artists have had to consider many non - ęsthetic aspects of the physical media that are the bearers of asthetic form and quality . And ęsthetics is forced into considering ...
Pagina 79
... basis of a set of elements in intelligible qualitative order an order , that is , within pitch as such that is as clear a structural basis as geometry . The fundamental pitch continuum is one necessary con- dition of this basic scale ...
... basis of a set of elements in intelligible qualitative order an order , that is , within pitch as such that is as clear a structural basis as geometry . The fundamental pitch continuum is one necessary con- dition of this basic scale ...
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absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic surface ęsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words