Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 38
Pagina xvi
... becomes identified with — becomes , so to speak , lost in the form . That we have been able to talk intelligibly for so long about a dualism between form and feeling , or the presence of one and the absence of the other , is due to our ...
... becomes identified with — becomes , so to speak , lost in the form . That we have been able to talk intelligibly for so long about a dualism between form and feeling , or the presence of one and the absence of the other , is due to our ...
Pagina 54
... become purely formal as we have realized their abstractness in systematic analysis . There are no real but only nominal elements of space and time . But it takes very little meditation on the nature of pitch and hue to see that once we ...
... become purely formal as we have realized their abstractness in systematic analysis . There are no real but only nominal elements of space and time . But it takes very little meditation on the nature of pitch and hue to see that once we ...
Pagina 155
... become com- pletely and intelligibly any feeling at all , to become the in- tended full feeling only suggested in the artist's processes of experience and not defined until he has worked it out in his medium . The feeling is not ...
... become com- pletely and intelligibly any feeling at all , to become the in- tended full feeling only suggested in the artist's processes of experience and not defined until he has worked it out in his medium . The feeling is not ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words