AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 89
And so particularly of the human body . Artists , fascinated by this shape for a
thousand reasons , began by copying some of its most obvious outlines . In Egypt
the human body was taken as a strictly canonical pattern from which no
divergence ...
And so particularly of the human body . Artists , fascinated by this shape for a
thousand reasons , began by copying some of its most obvious outlines . In Egypt
the human body was taken as a strictly canonical pattern from which no
divergence ...
Pagina 90
For all of us a familiar pattern of the body grows up in our minds and imaginations
; and it is only in relation to this pattern that there could possibly be any definite
meaning in any descriptive term that would express what we see when we look ...
For all of us a familiar pattern of the body grows up in our minds and imaginations
; and it is only in relation to this pattern that there could possibly be any definite
meaning in any descriptive term that would express what we see when we look ...
Pagina 191
dark period , which obscured the body not merely by covering it from physical
sight with clothing , but also by erecting a thick screen of fantastically perverse
moral sentiment , which averted from it the eyes of the mind as well ; so that no
full ...
dark period , which obscured the body not merely by covering it from physical
sight with clothing , but also by erecting a thick screen of fantastically perverse
moral sentiment , which averted from it the eyes of the mind as well ; so that no
full ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole