Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 28
Pagina 89
... body has any determinate characteristics at all . Long arms are long only in relation to the body ; but they are long also in proportion to any body only by virtue of the relation of the length of human arms in general to the height of ...
... body has any determinate characteristics at all . Long arms are long only in relation to the body ; but they are long also in proportion to any body only by virtue of the relation of the length of human arms in general to the height of ...
Pagina 90
... body , but abstracted from many bodies seen . It is a formulated pattern by virtue of which any human body is apprehended as a familiar — that is , intelligible — spatial form , and any work of sculpture as having its own degrees of ...
... body , but abstracted from many bodies seen . It is a formulated pattern by virtue of which any human body is apprehended as a familiar — that is , intelligible — spatial form , and any work of sculpture as having its own degrees of ...
Pagina 190
... body its dominant theme . Most of us nowadays do not see the human body regularly as part of our surroundings , unless we live at the seashore and spend most of our hours on the beach . And we have only recently emerged from a dark ...
... body its dominant theme . Most of us nowadays do not see the human body regularly as part of our surroundings , unless we live at the seashore and spend most of our hours on the beach . And we have only recently emerged from a dark ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words