AEsthetic Analysis |
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Pagina 65
The pitch given by the vibration of the string as a whole is called the fundamental
, the pitch of the sound . Furthermore , rates of vibration vary inversely with the
length of the vibrating string . That is to say , the vibrations of the half - lengths are
...
The pitch given by the vibration of the string as a whole is called the fundamental
, the pitch of the sound . Furthermore , rates of vibration vary inversely with the
length of the vibrating string . That is to say , the vibrations of the half - lengths are
...
Pagina 66
Naturally so , since it was heard before as a large part of the sound which we
called the sound of the fundamental . It is on account of this fact , viz . , that this so
- called partial or overtone is so large a part of the sound heard as the
fundamental ...
Naturally so , since it was heard before as a large part of the sound which we
called the sound of the fundamental . It is on account of this fact , viz . , that this so
- called partial or overtone is so large a part of the sound heard as the
fundamental ...
Pagina 146
What are so often called mere data , patches of color , lengths of an extension ,
for example , are of course abstractions . This is nothing against them . It is true
that without abstraction such data cannot be discriminated or thought of ; but ...
What are so often called mere data , patches of color , lengths of an extension ,
for example , are of course abstractions . This is nothing against them . It is true
that without abstraction such data cannot be discriminated or thought of ; but ...
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Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole
Informazioni bibliografiche
| Titolo | AEsthetic Analysis Apollo editions |
| Autore | David Wight Prall |
| Edizione | ristampa |
| Editore | Thomas, Y. Crowell, 1936 |
| Provenienza dell'originale | l'Universitą della Virginia |
| Digitalizzato | 20 gen 2010 |
| Lunghezza | 211 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |