AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 57
Pagina 115
there is a world at all , with whatever character it has ; then for explanation all that
we can look to is analysis , the discerning of the aspects of the world from various
human points of view , so that living may be intelligent and not totally the ...
there is a world at all , with whatever character it has ; then for explanation all that
we can look to is analysis , the discerning of the aspects of the world from various
human points of view , so that living may be intelligent and not totally the ...
Pagina 187
The fact seems rather to be that we distinguish our experiences in the first place
by their marked differences from one another , not by an identical common
character , and that the various contents experienced differ in widely varying
degrees .
The fact seems rather to be that we distinguish our experiences in the first place
by their marked differences from one another , not by an identical common
character , and that the various contents experienced differ in widely varying
degrees .
Pagina 192
Thus we require a set of normal proportions held in mind , if we are even to see
the specific features in their determinate character . And without such character
they are obviously not the particular features of the form actually to be discerned .
Thus we require a set of normal proportions held in mind , if we are even to see
the specific features in their determinate character . And without such character
they are obviously not the particular features of the form actually to be discerned .
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Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole