Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 60
Pagina 115
... character more plausibly applicable to the whole concrete character of verse itself . In fact the attempt is all too often to be descriptive in terms suggesting an effect like that of verse , terms with large significance and broad emo ...
... character more plausibly applicable to the whole concrete character of verse itself . In fact the attempt is all too often to be descriptive in terms suggesting an effect like that of verse , terms with large significance and broad emo ...
Pagina 153
... character at all , no determinate na- ture , and would therefore be strictly and absolutely noth- ing , i . e . , meaningless . But such large general terms as solemnity , slowness , ponderousness of movement , will not do to make out ...
... character at all , no determinate na- ture , and would therefore be strictly and absolutely noth- ing , i . e . , meaningless . But such large general terms as solemnity , slowness , ponderousness of movement , will not do to make out ...
Pagina 187
... character , and that the various contents experienced differ in widely varying degrees . For convenience we group together things not too greatly different from one another , and then use a gen- eral name , which we apply indifferently ...
... character , and that the various contents experienced differ in widely varying degrees . For convenience we group together things not too greatly different from one another , and then use a gen- eral name , which we apply indifferently ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words