AEsthetic Analysis |
Dall'interno del libro
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Pagina 51
For in color , although hue is perhaps fundamentally characteristic , variations in
hue are no more significant for color composition , no more characteristic of color
design , than variations of saturation or of brightness . The order of the hues is ...
For in color , although hue is perhaps fundamentally characteristic , variations in
hue are no more significant for color composition , no more characteristic of color
design , than variations of saturation or of brightness . The order of the hues is ...
Pagina 52
and greens and yellows and blues , shows how the feeling of its lack of saturation
has been taken as its distinguishing characteristic without reference explicitly to
any scheme . But the ordinary scheme definitely includes it , and its name ...
and greens and yellows and blues , shows how the feeling of its lack of saturation
has been taken as its distinguishing characteristic without reference explicitly to
any scheme . But the ordinary scheme definitely includes it , and its name ...
Pagina 103
phatically characteristic of our concrete experience of that pattern . For of
necessity the grasp of the pattern varies in definiteness and adequacy with the
degree of attention to the precise falling of the point of division on the single line
of ...
phatically characteristic of our concrete experience of that pattern . For of
necessity the grasp of the pattern varies in definiteness and adequacy with the
degree of attention to the precise falling of the point of division on the single line
of ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole