AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 53
Pagina 16
But it must be clear from this one sketchy example , where even our terms , such
as full red , are used without clear definition , that colors do lie in ordered ranges ,
where we can speak of their qualitative distances from one another . Out of this ...
But it must be clear from this one sketchy example , where even our terms , such
as full red , are used without clear definition , that colors do lie in ordered ranges ,
where we can speak of their qualitative distances from one another . Out of this ...
Pagina 52
The parallel with music is still clear , though obviously not at all adequate . As
colors are spread over surfaces , so notes are extended through time , and
rhythm may enter into melody as distinctly as pitch itself , though a definite
rhythmic beat ...
The parallel with music is still clear , though obviously not at all adequate . As
colors are spread over surfaces , so notes are extended through time , and
rhythm may enter into melody as distinctly as pitch itself , though a definite
rhythmic beat ...
Pagina 162
... effect , an effect not merely recognized as pale green trees with spaces and
light among them , but felt sharply as just this look and feel of light and air and
color . Delicate as pale green and lavender - blue are delicate , strong and clear
...
... effect , an effect not merely recognized as pale green trees with spaces and
light among them , but felt sharply as just this look and feel of light and air and
color . Delicate as pale green and lavender - blue are delicate , strong and clear
...
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Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole