Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 54
Pagina 55
... clearly apprehended consists , upon analysis , of elements intrinsically ordered and also ordered spatially and temporally . The temporal cannot be present except as it attaches itself to what is qualitatively and spatially extended any ...
... clearly apprehended consists , upon analysis , of elements intrinsically ordered and also ordered spatially and temporally . The temporal cannot be present except as it attaches itself to what is qualitatively and spatially extended any ...
Pagina 95
... clearly stated , we have to offer as analysis nothing beyond two principles that every one assumes without question and has no need to study . These are ( 1 ) that is and is not are incompatible in a single simple assertion in ...
... clearly stated , we have to offer as analysis nothing beyond two principles that every one assumes without question and has no need to study . These are ( 1 ) that is and is not are incompatible in a single simple assertion in ...
Pagina 112
... clearly felt temporal pattern in verse in just the sense in which there is not a measured pitch pattern . If so , there must be measure and number in verse , since without these there could be no clearly apprehended temporal pattern at ...
... clearly felt temporal pattern in verse in just the sense in which there is not a measured pitch pattern . If so , there must be measure and number in verse , since without these there could be no clearly apprehended temporal pattern at ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words