Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
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Pagina 80
... color , for example , scales have been selected out of the intrinsic color orders , and variations memorized as definite color intervals from one another , in specified color dimensions . But while the facts of harmony and contrast ...
... color , for example , scales have been selected out of the intrinsic color orders , and variations memorized as definite color intervals from one another , in specified color dimensions . But while the facts of harmony and contrast ...
Pagina 81
... colors that lie far apart in hue or in one of the other color dimensions . But these are comparatively gross and unmeasured distinctions , especially as named in our far from systematic or complete color terms . So - called scaled ...
... colors that lie far apart in hue or in one of the other color dimensions . But these are comparatively gross and unmeasured distinctions , especially as named in our far from systematic or complete color terms . So - called scaled ...
Pagina 82
... color and color combinations as available pigments furnished , and as the colors given in nature upon objects - sky , leaves , flowers , flesh , jewels , fabrics - led them to recognize and to desire . It is equally plain that a great ...
... color and color combinations as available pigments furnished , and as the colors given in nature upon objects - sky , leaves , flowers , flesh , jewels , fabrics - led them to recognize and to desire . It is equally plain that a great ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words