AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 56
Pagina 80
In color , for example , scales have been selected out of the intrinsic color orders ,
and variations memorized as at definite color intervals from one another , in
specified color dimensions . But while the facts of harmony and contrast , and
hence ...
In color , for example , scales have been selected out of the intrinsic color orders ,
and variations memorized as at definite color intervals from one another , in
specified color dimensions . But while the facts of harmony and contrast , and
hence ...
Pagina 81
We all recognize variation from lighter to darker , and we all recognize the
emphatic contrast produced by juxtaposing colors that lie far apart in hue or in
one of the other color dimensions . But these are comparatively gross and
unmeasured ...
We all recognize variation from lighter to darker , and we all recognize the
emphatic contrast produced by juxtaposing colors that lie far apart in hue or in
one of the other color dimensions . But these are comparatively gross and
unmeasured ...
Pagina 82
And most of the great painters of history did not have strictly scaled palettes , but
rather such points fixed in color and color combinations as available pigments
furnished , and as the colors given in nature upon objects — sky , leaves ,
Aowers ...
And most of the great painters of history did not have strictly scaled palettes , but
rather such points fixed in color and color combinations as available pigments
furnished , and as the colors given in nature upon objects — sky , leaves ,
Aowers ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole