Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 17
Pagina 51
... color variation lies at a determinately felt distance from others along any single dimension chosen . But it will be clear at once that the selection of scales of color variations is guided by relations peculiar to color and not ...
... color variation lies at a determinately felt distance from others along any single dimension chosen . But it will be clear at once that the selection of scales of color variations is guided by relations peculiar to color and not ...
Pagina 80
... color orders , and variations memorized as definite color intervals from one another , in specified color dimensions . But while the facts of harmony and contrast , and hence of all color design as such , depend absolutely on the ...
... color orders , and variations memorized as definite color intervals from one another , in specified color dimensions . But while the facts of harmony and contrast , and hence of all color design as such , depend absolutely on the ...
Pagina 81
... color variations much as many ears distinguish pitches — sometimes so exactly that the term absolute pitch is used as if it named a peculiar faculty instead of merely a high degree of discrimination in aural memory . For many of us it ...
... color variations much as many ears distinguish pitches — sometimes so exactly that the term absolute pitch is used as if it named a peculiar faculty instead of merely a high degree of discrimination in aural memory . For many of us it ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words