Æsthetic AnalysisCrowell, 1967 - 211 pagine |
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Pagina 30
David Wight Prall. complexes can be made into such complexes ; and only complexes of such elements can be intelligibly ... complex sonorities of great music . And it is with sharp perception of such isolated elements that the æsthetic ...
David Wight Prall. complexes can be made into such complexes ; and only complexes of such elements can be intelligibly ... complex sonorities of great music . And it is with sharp perception of such isolated elements that the æsthetic ...
Pagina 154
... complex to engage its whole attentive interest . Hence the response has full emo- tional character , as well as the more strictly intellectual character involved in discriminating structured content . Feelings are feelings about objects ...
... complex to engage its whole attentive interest . Hence the response has full emo- tional character , as well as the more strictly intellectual character involved in discriminating structured content . Feelings are feelings about objects ...
Pagina 181
... complex configuration ; we find it an intelligible form because we have learned it and know it . So of most of the other traditional terms listed above . None of them is of much actual help in gaining a sure acquaintance with works of ...
... complex configuration ; we find it an intelligible form because we have learned it and know it . So of most of the other traditional terms listed above . None of them is of much actual help in gaining a sure acquaintance with works of ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words