AEsthetic Analysis |
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Risultati 1-3 di 28
Pagina 87
It has also an enclosed area and some color . To be a structure of any sort means
to be made up thus of discriminable elements in relations . When there are no
elements to be discriminated as related in a complex , there is no complex
present ...
It has also an enclosed area and some color . To be a structure of any sort means
to be made up thus of discriminable elements in relations . When there are no
elements to be discriminated as related in a complex , there is no complex
present ...
Pagina 167
A complex pattern of polygons inscribed and circumscribed , a diamond in a tall
rectangle , circumscribed by a hexagon or an octagon , makes a clear , easily
apprehended design because all the subsidiary figures build themselves ...
A complex pattern of polygons inscribed and circumscribed , a diamond in a tall
rectangle , circumscribed by a hexagon or an octagon , makes a clear , easily
apprehended design because all the subsidiary figures build themselves ...
Pagina 181
Many a configuration difficult to grasp as geometry is eminently simple and clear
geometrically , as compared to the pattern of a human face or a human body ; but
we have become familiar with this extremely complex configuration ; we find it ...
Many a configuration difficult to grasp as geometry is eminently simple and clear
geometrically , as compared to the pattern of a human face or a human body ; but
we have become familiar with this extremely complex configuration ; we find it ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole