Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 47
Pagina 53
... concrete content are themselves structural . Like pitch , time , whatever else it may be , is an order . That space is an order we all realize from an elementary acquaintance with geometry . Two lines on a surface can not remain merely ...
... concrete content are themselves structural . Like pitch , time , whatever else it may be , is an order . That space is an order we all realize from an elementary acquaintance with geometry . Two lines on a surface can not remain merely ...
Pagina 55
... concrete presentation . Thus our scheme of æsthetic analysis may be accused indifferently of formalizing æsthetics , or of reducing all the formal aspects of art and nature to sensuous content . The point is that any content concretely ...
... concrete presentation . Thus our scheme of æsthetic analysis may be accused indifferently of formalizing æsthetics , or of reducing all the formal aspects of art and nature to sensuous content . The point is that any content concretely ...
Pagina 177
... concrete wholes , and our feeling of them is complicated by all that enters into a total organic response to the concrete presentation before us . Æsthetics has not reached the point where a fully adequate analysis of a whole concrete ...
... concrete wholes , and our feeling of them is complicated by all that enters into a total organic response to the concrete presentation before us . Æsthetics has not reached the point where a fully adequate analysis of a whole concrete ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words