AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 55
Pagina 53
ganism , but also that the spatial and temporal aspects of the concrete content
are themselves structural . Like pitch , time , whatever else it may be , is an order .
That space is an order we all realize from an elementary acquaintance with ...
ganism , but also that the spatial and temporal aspects of the concrete content
are themselves structural . Like pitch , time , whatever else it may be , is an order .
That space is an order we all realize from an elementary acquaintance with ...
Pagina 76
crete points in the pitch continuum ; not concrete notes , but the distances that
mark off our intervals . The timbre of the fundamental ( which is the effect of all the
partials in it combined in a distinctive quality ) ; the loudness necessary to our ...
crete points in the pitch continuum ; not concrete notes , but the distances that
mark off our intervals . The timbre of the fundamental ( which is the effect of all the
partials in it combined in a distinctive quality ) ; the loudness necessary to our ...
Pagina 177
In æsthetics our objects are relatively concrete wholes , and our feeling of them is
complicated by all that enters into a total organic response to the concrete
presentation before us . Æsthetics has not reached the point where a fully
adequate ...
In æsthetics our objects are relatively concrete wholes , and our feeling of them is
complicated by all that enters into a total organic response to the concrete
presentation before us . Æsthetics has not reached the point where a fully
adequate ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract accent actual adequate æsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole