Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 51
Pagina 58
... constitute the genuine sensuous structure that the symphony actually is . But if the whole were not con- sciously felt , our perfected æsthetic knowledge would be knowledge of nothing ; it would achieve the ideal of ab- stract science ...
... constitute the genuine sensuous structure that the symphony actually is . But if the whole were not con- sciously felt , our perfected æsthetic knowledge would be knowledge of nothing ; it would achieve the ideal of ab- stract science ...
Pagina 136
... constitute the rela- tion of color contrast between them in one or more of the series , a contrast that is directly apprehended as color de- sign . This contrast is properly to be called structural— serves , that is , to constitute ...
... constitute the rela- tion of color contrast between them in one or more of the series , a contrast that is directly apprehended as color de- sign . This contrast is properly to be called structural— serves , that is , to constitute ...
Pagina 155
... constitute single apprehensible and exciting presentations of feeling , consciously requiring this embodiment to become com- pletely and intelligibly any feeling at all , to become the in- tended full feeling only suggested in the ...
... constitute single apprehensible and exciting presentations of feeling , consciously requiring this embodiment to become com- pletely and intelligibly any feeling at all , to become the in- tended full feeling only suggested in the ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words