AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 31
Pagina 58
... the hearing of even a great new symphony would be an intelligible experience
, where every element was immediately apprehended in those manifold relations
that constitute the genuine sensuous structure that the symphony actually is .
... the hearing of even a great new symphony would be an intelligible experience
, where every element was immediately apprehended in those manifold relations
that constitute the genuine sensuous structure that the symphony actually is .
Pagina 155
On the other hand , they are intricate and coherent complexes of ęsthetic
elements so patterned as to constitute single apprehensible and exciting
presentations of feeling , consciously requiring this embodiment to become
completely and ...
On the other hand , they are intricate and coherent complexes of ęsthetic
elements so patterned as to constitute single apprehensible and exciting
presentations of feeling , consciously requiring this embodiment to become
completely and ...
Pagina 165
But art requires also the discernment by artists and by those who are to
apprehend their works , of the specific functioning of these in the particular whole
which they constitute , their peculiar functioning in any given case in
combinations only ...
But art requires also the discernment by artists and by those who are to
apprehend their works , of the specific functioning of these in the particular whole
which they constitute , their peculiar functioning in any given case in
combinations only ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole