Æsthetic AnalysisCrowell, 1967 - 211 pagine |
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Risultati 1-3 di 16
Pagina 122
... counts is customary in a great deal of English speech . To discern this grouping into three counts a sure sense of regularity in a rapid count of three is required ; and the reason for our not being explicitly and formally familiar with ...
... counts is customary in a great deal of English speech . To discern this grouping into three counts a sure sense of regularity in a rapid count of three is required ; and the reason for our not being explicitly and formally familiar with ...
Pagina 129
... counts where more usually the half - measures have three counts . Vast amounts of blank verse , infinite numbers of he- roic couplets , fall into this pattern of three measures to the line , each measure divided into halves , and each ...
... counts where more usually the half - measures have three counts . Vast amounts of blank verse , infinite numbers of he- roic couplets , fall into this pattern of three measures to the line , each measure divided into halves , and each ...
Pagina 132
... count that agrees with a rhythmical reading that fits the natural speaking of the words , gives us two regular measures of six counts to the line , grouped as follows : I 2 3 bid me to I 2.3 Protes 6 6 live and I will live Thy 4 5 6 123 ...
... count that agrees with a rhythmical reading that fits the natural speaking of the words , gives us two regular measures of six counts to the line , grouped as follows : I 2 3 bid me to I 2.3 Protes 6 6 live and I will live Thy 4 5 6 123 ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words