Ęsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 88
... course , about the many other aspects of spatial structure , nor about the scores of analogical and thoroughly muddled applications of the terms balance and symmetry and rhythm to temporal and qualitative structures and relations , and ...
... course , about the many other aspects of spatial structure , nor about the scores of analogical and thoroughly muddled applications of the terms balance and symmetry and rhythm to temporal and qualitative structures and relations , and ...
Pagina 196
... course , the linguistic and scientific systematic symbolic forms remain simply such complex structural imaginal content as the symbolism itself di- rectly presents ; in which case the symbolic systems and forms are quite obviously the ...
... course , the linguistic and scientific systematic symbolic forms remain simply such complex structural imaginal content as the symbolism itself di- rectly presents ; in which case the symbolic systems and forms are quite obviously the ...
Pagina 197
... course extremes of irrelevance . We have at the opposite extreme such relevant analyses as Mr. Tovey's of musical works and Mr. Barnes's of French painting , though these are at such high levels of both learning and taste that for most ...
... course extremes of irrelevance . We have at the opposite extreme such relevant analyses as Mr. Tovey's of musical works and Mr. Barnes's of French painting , though these are at such high levels of both learning and taste that for most ...
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absolute pitch abstract accent acquaintance actual adequate aesthetic ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic surface ęsthetic theory apply apprehended artists attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words