Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 33
Pagina 170
... criticism so char- acteristically falls . Not that criticism is as such useless , but that value judgments , if they are to be made at all , are not æsthetic understanding , and are irrelevant unless they follow such understanding . The ...
... criticism so char- acteristically falls . Not that criticism is as such useless , but that value judgments , if they are to be made at all , are not æsthetic understanding , and are irrelevant unless they follow such understanding . The ...
Pagina 171
David Wight Prall. condemnation , though that is what the criticism will no doubt purport to pronounce . The adequate critic needs full acquaintance with all the traditional technical material there is , and with all the his- torically ...
David Wight Prall. condemnation , though that is what the criticism will no doubt purport to pronounce . The adequate critic needs full acquaintance with all the traditional technical material there is , and with all the his- torically ...
Pagina 185
... criticism . What it purports to criticize has perhaps not even been discerned . The critic has thought of and mentioned features that are not present in it , and he has also thought of a structural pattern that it does not fit , and ...
... criticism . What it purports to criticize has perhaps not even been discerned . The critic has thought of and mentioned features that are not present in it , and he has also thought of a structural pattern that it does not fit , and ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words