AEsthetic Analysis |
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Pagina 74
In other words the intervals making up our scale are not simply arbitrary divisions
of the octave , but intervals given by the pitch relations defined to the ear within
any single sound which has clearly distinguishable pitch . Notes at these ...
In other words the intervals making up our scale are not simply arbitrary divisions
of the octave , but intervals given by the pitch relations defined to the ear within
any single sound which has clearly distinguishable pitch . Notes at these ...
Pagina 151
But in fact love , without a material object present at least in imagination to define
it , is not love at all , but solely bodily ... And as there is no clearly defined present
object felt , so there is no clearly defined single feeling experienced , but a ...
But in fact love , without a material object present at least in imagination to define
it , is not love at all , but solely bodily ... And as there is no clearly defined present
object felt , so there is no clearly defined single feeling experienced , but a ...
Pagina 186
If it is objected that to be a play at all requires fulfilling the definition of a play , the
answer is in the first place that if there ... and no determinate feeling can possibly
be defined in the general terms naming the general characteristics of all plays .
If it is objected that to be a play at all requires fulfilling the definition of a play , the
answer is in the first place that if there ... and no determinate feeling can possibly
be defined in the general terms naming the general characteristics of all plays .
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Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole