Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 33
... points of view , other foci for perspectives , offers the surest pro- tection from falsification . Such exclusion definitely ac- knowledges what is excluded without prejudice to its nature or THE BASIS OF ÆSTHETIC ANALYSIS 33.
... points of view , other foci for perspectives , offers the surest pro- tection from falsification . Such exclusion definitely ac- knowledges what is excluded without prejudice to its nature or THE BASIS OF ÆSTHETIC ANALYSIS 33.
Pagina 80
... definitely fixed and clearly felt intervals is much more characteristic in the spreading of color over an area than in the spreading of sounds through time . And although there is an enormous number of possibilities for color contrasts ...
... definitely fixed and clearly felt intervals is much more characteristic in the spreading of color over an area than in the spreading of sounds through time . And although there is an enormous number of possibilities for color contrasts ...
Pagina 157
... definitely , than its exact shape and the details of color that mark , say , its dilapidation . Some of these formal details we must have apprehended in it , how- ever , if we apprehend the dilapidation at all . And unless we have ...
... definitely , than its exact shape and the details of color that mark , say , its dilapidation . Some of these formal details we must have apprehended in it , how- ever , if we apprehend the dilapidation at all . And unless we have ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words