AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 40
And it would be impossible to generalize were not the particular elements so
related , in definitely indicated ways , that our scheme of them may represent the
discerned order of their actual nature and therefore be directed upon their actual
...
And it would be impossible to generalize were not the particular elements so
related , in definitely indicated ways , that our scheme of them may represent the
discerned order of their actual nature and therefore be directed upon their actual
...
Pagina 120
The beat must be so definitely held to as to constitute a genuinely independent
measure , but a measure directly experienced ęsthetically . We need the kind of
training that music students sometimes get in beating time accurately to their own
...
The beat must be so definitely held to as to constitute a genuinely independent
measure , but a measure directly experienced ęsthetically . We need the kind of
training that music students sometimes get in beating time accurately to their own
...
Pagina 157
And we apprehend its offensiveness as directly and simply , and usually much
more definitely , than its exact shape and the details of color that mark , say , its
dilapidation . Some of these formal details we must have apprehended in it ...
And we apprehend its offensiveness as directly and simply , and usually much
more definitely , than its exact shape and the details of color that mark , say , its
dilapidation . Some of these formal details we must have apprehended in it ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole