Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina x
... direct and realistic approach . Perhaps one of the reasons for this is the tendency to read Prall in conformance with our received ways of reading treatises on æsthetics . Thus , when he acknowledges an “ æs- thetic experience , " we ...
... direct and realistic approach . Perhaps one of the reasons for this is the tendency to read Prall in conformance with our received ways of reading treatises on æsthetics . Thus , when he acknowledges an “ æs- thetic experience , " we ...
Pagina x
... direct and realistic approach . Perhaps one of the reasons for this is the tendency to read Prall in conformance with our received ways of reading treatises on æsthetics . Thus , when he acknowledges an “ æs- thetic experience , " we ...
... direct and realistic approach . Perhaps one of the reasons for this is the tendency to read Prall in conformance with our received ways of reading treatises on æsthetics . Thus , when he acknowledges an “ æs- thetic experience , " we ...
Pagina 99
... direct attention as a single duration . For of course time runs on continuously , and there is always a supply of it to fill out a second duration immediately following a marked one . To some ears a duration of equal length is also de ...
... direct attention as a single duration . For of course time runs on continuously , and there is always a supply of it to fill out a second duration immediately following a marked one . To some ears a duration of equal length is also de ...
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absolute pitch abstract accent acquaintance actual adequate aesthetic æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words