AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 18
Pagina x
ęsthetic theory , it was an immensely sobering experience . It seems remarkable
that after all these years Prall ' s example should have had so little effect , and
that people should be still clamoring for a return to a direct and realistic approach
.
ęsthetic theory , it was an immensely sobering experience . It seems remarkable
that after all these years Prall ' s example should have had so little effect , and
that people should be still clamoring for a return to a direct and realistic approach
.
Pagina xix
Direct and immediate apprehension of ęsthetic surface has suggestions of an
obscurantist , Buddhist contemplation - an emptying of the mind . But this is to
overlook the thoroughly intelligible manner in which knowledge becomes part of
the ...
Direct and immediate apprehension of ęsthetic surface has suggestions of an
obscurantist , Buddhist contemplation - an emptying of the mind . But this is to
overlook the thoroughly intelligible manner in which knowledge becomes part of
the ...
Pagina 99
familiar data of simple direct experience that we are talking about . Experiment is
demanded , though only of that easy sort that we can readily carry out in
imagination . To mark the two ends of an interval of duration , it is necessary to
give two ...
familiar data of simple direct experience that we are talking about . Experiment is
demanded , though only of that easy sort that we can readily carry out in
imagination . To mark the two ends of an interval of duration , it is necessary to
give two ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole