Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 5
... directly felt . It is simply the ex- ternal world , including our own bodies , inside and out , that begins to dawn on us in infancy , that offers to the most mature scientist exciting data for investigation , and to all men the only ...
... directly felt . It is simply the ex- ternal world , including our own bodies , inside and out , that begins to dawn on us in infancy , that offers to the most mature scientist exciting data for investigation , and to all men the only ...
Pagina 6
... directly and fully ex- perienced . It is not merely distinguished by one of the senses , but felt emotionally in its full present character . But so far as it is æsthetic content , it is not more than thus directly felt . Once we go ...
... directly and fully ex- perienced . It is not merely distinguished by one of the senses , but felt emotionally in its full present character . But so far as it is æsthetic content , it is not more than thus directly felt . Once we go ...
Pagina 157
... directly seen and felt as these familiar things , or at least as the shapes and appearances of these familiar things . And no one who has lived in the civilized world can grasp a house in attention and dwell on what it presents to his ...
... directly seen and felt as these familiar things , or at least as the shapes and appearances of these familiar things . And no one who has lived in the civilized world can grasp a house in attention and dwell on what it presents to his ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words