Ęsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 26
Pagina 15
... discriminated as the basic structure of many aspects the arts , and that training in discriminating these relations is the necessary condition of actual full acquaintance with works of art , and hence with the nature of art in general ...
... discriminated as the basic structure of many aspects the arts , and that training in discriminating these relations is the necessary condition of actual full acquaintance with works of art , and hence with the nature of art in general ...
Pagina 57
... discriminating of the discrete out of the continu- ous . Abstraction is necessary to distinct experience of any- thing as distinguished from anything else , as distinguished from just everything all at once in one totality of confused ...
... discriminating of the discrete out of the continu- ous . Abstraction is necessary to distinct experience of any- thing as distinguished from anything else , as distinguished from just everything all at once in one totality of confused ...
Pagina 76
... discriminating the intervals so defined ; the duration re- quired for hearing any note at all at any pitch or of any quality or loudness — all these are essential to concrete mu- sical sound and to discovering the scale . But they are ...
... discriminating the intervals so defined ; the duration re- quired for hearing any note at all at any pitch or of any quality or loudness — all these are essential to concrete mu- sical sound and to discovering the scale . But they are ...
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absolute pitch abstract accent acquaintance actual adequate aesthetic ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic surface ęsthetic theory apply apprehended artists attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words