AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 19
Pagina 15
lations , not numerical , not spatial and not temporal , can be discriminated as the
basic structure of many aspects of the arts , and that training in discriminating
these relations is the necessary condition of actual full acquaintance with works
of ...
lations , not numerical , not spatial and not temporal , can be discriminated as the
basic structure of many aspects of the arts , and that training in discriminating
these relations is the necessary condition of actual full acquaintance with works
of ...
Pagina 20
It is not full enough or discriminating enough to find in the immediately present
content an adequately absorbing object . Any one who has ever been absorbed
in looking at a tree in a picture has been occupied in discriminating lines , shapes
...
It is not full enough or discriminating enough to find in the immediately present
content an adequately absorbing object . Any one who has ever been absorbed
in looking at a tree in a picture has been occupied in discriminating lines , shapes
...
Pagina 167
... all the subsidiary figures build themselves perspicuously into the more
complex pattern , whether we see them thus the first time or are able to grasp the
structure immediately only after practice in discriminating the constituents
separately .
... all the subsidiary figures build themselves perspicuously into the more
complex pattern , whether we see them thus the first time or are able to grasp the
structure immediately only after practice in discriminating the constituents
separately .
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole