Ęsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 52
... distinguished from its one - dimensional extension in time , is greater than the rela- tive emphasis on color as such as distinguished from spatial design in painting . In both cases , however , it is clear not only that the quali ...
... distinguished from its one - dimensional extension in time , is greater than the rela- tive emphasis on color as such as distinguished from spatial design in painting . In both cases , however , it is clear not only that the quali ...
Pagina 57
... distinguished from anything else , as distinguished from just everything all at once in one totality of confused awareness . Further abstraction is necessary to experience of any particular sort , nameable as ęsthetic or not . Still ...
... distinguished from anything else , as distinguished from just everything all at once in one totality of confused awareness . Further abstraction is necessary to experience of any particular sort , nameable as ęsthetic or not . Still ...
Pagina 207
... distinguished from the beautiful , 3 , 10 , 43 , from the fine arts , 4 , 26 , from language , 92 , 144 , 148 , 162 , from the practical , 6 , 142 , from physics and psy- chology , 10 , from the sciences generally , 173 , 196 ; rela ...
... distinguished from the beautiful , 3 , 10 , 43 , from the fine arts , 4 , 26 , from language , 92 , 144 , 148 , 162 , from the practical , 6 , 142 , from physics and psy- chology , 10 , from the sciences generally , 173 , 196 ; rela ...
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absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic surface ęsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words