Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 67
Pagina 41
... elements and the kinds of relations native or possible to these elements in complexes . For elements not natively ordered by a relation of some sort will not make structures for us at all , nor will intrinsically related elements make ...
... elements and the kinds of relations native or possible to these elements in complexes . For elements not natively ordered by a relation of some sort will not make structures for us at all , nor will intrinsically related elements make ...
Pagina 42
... elements must lie in an order native to their very being , an order grasped by us as constituted by a relation . We call structures intelligible and feel that we know them in so far as we find them capable of analysis into such elements ...
... elements must lie in an order native to their very being , an order grasped by us as constituted by a relation . We call structures intelligible and feel that we know them in so far as we find them capable of analysis into such elements ...
Pagina 137
... elements in a series , all of whose elements lie in this single order . Hence their relation is itself related to all the other relations in the series , and , as concretely exhibited , becomes necessarily and for direct apprehension a ...
... elements in a series , all of whose elements lie in this single order . Hence their relation is itself related to all the other relations in the series , and , as concretely exhibited , becomes necessarily and for direct apprehension a ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words