AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 67
Pagina 41
This means , of course , as made up of elements in relations by virtue of which
they actually come together . We see a situation as having a certain form , and we
do not need to analyse that form into elements in relations provided it is simple ...
This means , of course , as made up of elements in relations by virtue of which
they actually come together . We see a situation as having a certain form , and we
do not need to analyse that form into elements in relations provided it is simple ...
Pagina 42
The elements must lie in an order native to their very being , an order grasped by
us as constituted by a relation . We call structures intelligible and feel that we
know them in so far as we find them capable of analysis into such elements so ...
The elements must lie in an order native to their very being , an order grasped by
us as constituted by a relation . We call structures intelligible and feel that we
know them in so far as we find them capable of analysis into such elements so ...
Pagina 137
related more or less closely than any other two elements of the same sort or
equally closely . They are related palpably in virtue of an ordered aspect of their
own nature , related as two selected elements in a series , all of whose elements
lie in ...
related more or less closely than any other two elements of the same sort or
equally closely . They are related palpably in virtue of an ordered aspect of their
own nature , related as two selected elements in a series , all of whose elements
lie in ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole