Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 25
Pagina 9
... emotional perception . And to any conscious perception at all some degree of emotion is requisite , if it is no more than the excitement of the attention that brings it to a focus . The concrete object of asthetic perception is just ...
... emotional perception . And to any conscious perception at all some degree of emotion is requisite , if it is no more than the excitement of the attention that brings it to a focus . The concrete object of asthetic perception is just ...
Pagina 19
... emotional depth or human significance . But this objection has already been answered . For the ele- ments we have so far suggested are not only sensuous but emotionally toned , and the structural relations are sensu- ous relations ...
... emotional depth or human significance . But this objection has already been answered . For the ele- ments we have so far suggested are not only sensuous but emotionally toned , and the structural relations are sensu- ous relations ...
Pagina 208
... Emotion , 9 , 19 , 147 , 159 Emotional perception , 9 , 19 , 159 Experience , in general , 7 , 11 , 57 , 147 Expression , Ch . V , 141 , 150 , 165 Expressiveness , 85 , 90 ; verse form as expressive , 117 Familiar , The , as formal ...
... Emotion , 9 , 19 , 147 , 159 Emotional perception , 9 , 19 , 159 Experience , in general , 7 , 11 , 57 , 147 Expression , Ch . V , 141 , 150 , 165 Expressiveness , 85 , 90 ; verse form as expressive , 117 Familiar , The , as formal ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words