Æsthetic AnalysisCrowell, 1967 - 211 pagine |
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Risultati 1-3 di 42
Pagina 18
... example , we can find a variation half way between , or a variation twice as far from one of them as from the other , along one of the serial ranges of color . And so of pitches . Pitches are at definitely apprehended distances in pitch ...
... example , we can find a variation half way between , or a variation twice as far from one of them as from the other , along one of the serial ranges of color . And so of pitches . Pitches are at definitely apprehended distances in pitch ...
Pagina 125
... example of the consistent use of so - called trochaic measure will exhibit the characteristic un - English sound of a strict count of two . Trochees substituted for iambs are not of this sort . From our scheme it is plain enough that ...
... example of the consistent use of so - called trochaic measure will exhibit the characteristic un - English sound of a strict count of two . Trochees substituted for iambs are not of this sort . From our scheme it is plain enough that ...
Pagina 148
... example , that we feel aches and pains and emotions as our own in a way not true of the smooth hardness of a table top , which is there for any one else to feel , just as its ex- tension is there for any one else to measure ; or of the ...
... example , that we feel aches and pains and emotions as our own in a way not true of the smooth hardness of a table top , which is there for any one else to feel , just as its ex- tension is there for any one else to measure ; or of the ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words