AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 39
Pagina 17
Any melody is an example of the dependence of structure upon native qualitative
order in sensuous materials , a structure felt as having specific and even
nameable character , only as the qualitative relation is grasped which is seen to ...
Any melody is an example of the dependence of structure upon native qualitative
order in sensuous materials , a structure felt as having specific and even
nameable character , only as the qualitative relation is grasped which is seen to ...
Pagina 18
For any two variations in color , for example , we can find a variation half way
between , or a variation twice as far from ... for these measures of distance , the
intervals , an octave , a fifth , a third , to take examples from our own scale system
.
For any two variations in color , for example , we can find a variation half way
between , or a variation twice as far from ... for these measures of distance , the
intervals , an octave , a fifth , a third , to take examples from our own scale system
.
Pagina 179
Always , however , it is through some sort of design or pattern , sequence for
example , and increasing intensity and rate of occurrence of events to give order
and form to a narrative , which reaches a climax , perhaps , and then recedes , by
...
Always , however , it is through some sort of design or pattern , sequence for
example , and increasing intensity and rate of occurrence of events to give order
and form to a narrative , which reaches a climax , perhaps , and then recedes , by
...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole