Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 12
Pagina 137
... exhibiting concretely its own position , length , direction , or sequence of points , thereby defines these same spatial relations as constituents of the plane that it is in , which is made up of such relations . The relations exhibited ...
... exhibiting concretely its own position , length , direction , or sequence of points , thereby defines these same spatial relations as constituents of the plane that it is in , which is made up of such relations . The relations exhibited ...
Pagina 148
... exhibited . We may take up the matter a little differently , however , and perhaps make it plainer . It seems clear enough , for example , that we feel aches and pains and emotions as our own in a way not true of the smooth hardness of ...
... exhibited . We may take up the matter a little differently , however , and perhaps make it plainer . It seems clear enough , for example , that we feel aches and pains and emotions as our own in a way not true of the smooth hardness of ...
Pagina 185
... exhibited in the form that its content takes on . What are called critical standards are very largely the structural patterns of works of art that have become familiar to critics . It is clear that without such standards neither critics ...
... exhibited in the form that its content takes on . What are called critical standards are very largely the structural patterns of works of art that have become familiar to critics . It is clear that without such standards neither critics ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words