Ęsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 63
Pagina xiv
... experiences stand apart from the flux of experience by virtue of being their own fulfillment . The distinction between experience in flux and what Dewey calls " an experience " is that in the one case there is " distrac- tion and ...
... experiences stand apart from the flux of experience by virtue of being their own fulfillment . The distinction between experience in flux and what Dewey calls " an experience " is that in the one case there is " distrac- tion and ...
Pagina xix
... experience , of distinguishing between the direct and immediate apprehension of qualitative rela- tions and our other preoccupations . Thus , " as no experience can be totally anęsthetic , so also no experience is totally ęsthetic ...
... experience , of distinguishing between the direct and immediate apprehension of qualitative rela- tions and our other preoccupations . Thus , " as no experience can be totally anęsthetic , so also no experience is totally ęsthetic ...
Pagina 57
... experience at all , what Mr. Dewey calls experiences as distinguished from mere vague awareness or bare experience as continuous . And here he agrees with one of the great modern mathe- maticians who has said that the fundamental ...
... experience at all , what Mr. Dewey calls experiences as distinguished from mere vague awareness or bare experience as continuous . And here he agrees with one of the great modern mathe- maticians who has said that the fundamental ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate aesthetic ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic surface ęsthetic theory apply apprehended artists attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words