AEsthetic Analysis |
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Pagina 29
Art is expression in a sense of the word that should become plain before we
finish , and expression in art involves communication . But what is readily
communicated is never the feelings and ideas of great men of other centuries ,
but the ...
Art is expression in a sense of the word that should become plain before we
finish , and expression in art involves communication . But what is readily
communicated is never the feelings and ideas of great men of other centuries ,
but the ...
Pagina 159
significance or individuality ; but both his technical artistic powers and the
genuineness of his feeling are necessary conditions of adequate expression .
The lack of the former is fatal to ęsthetic adequacy ; the possession of the latter is
, for ...
significance or individuality ; but both his technical artistic powers and the
genuineness of his feeling are necessary conditions of adequate expression .
The lack of the former is fatal to ęsthetic adequacy ; the possession of the latter is
, for ...
Pagina 169
Thus in pictures , and more strikingly in sculpture , we may apprehend little but a
representation instead of what is actually expressed , and in music only a vague
approximation to a general type of feeling , suggested in the scraps that we do ...
Thus in pictures , and more strikingly in sculpture , we may apprehend little but a
representation instead of what is actually expressed , and in music only a vague
approximation to a general type of feeling , suggested in the scraps that we do ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole