Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 17
Pagina 127
... expressive , though a little sweeter and tenderer for the simple flowing tune , the indulgence in a much slower rate than that of the words as they would be spoken , loses this very effect of words at their natural spoken rate . This ...
... expressive , though a little sweeter and tenderer for the simple flowing tune , the indulgence in a much slower rate than that of the words as they would be spoken , loses this very effect of words at their natural spoken rate . This ...
Pagina 188
... expressive character , ex- cept as such constituents do or do not serve to fulfill and specify the artist's individual intention . And the form of the whole , if the work of art is genuinely expressive of anything original , that is ...
... expressive character , ex- cept as such constituents do or do not serve to fulfill and specify the artist's individual intention . And the form of the whole , if the work of art is genuinely expressive of anything original , that is ...
Pagina 193
... expressive sculptured figure . To feel the abnormally long bodies and faces of El Greco as merely distortion , instead of feeling them as ascetic and in some of his portraits as aristocratic , or as expressive of saintly ecstatic ...
... expressive sculptured figure . To feel the abnormally long bodies and faces of El Greco as merely distortion , instead of feeling them as ascetic and in some of his portraits as aristocratic , or as expressive of saintly ecstatic ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words