Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 59
Pagina xvi
... feeling . Yet even this can be deceptive , since every statement about the form is indirectly or obliquely a statement about the feeling . " The Pathétique Sonata is in C minor " is , as I have said , a superficial state- ment about the ...
... feeling . Yet even this can be deceptive , since every statement about the form is indirectly or obliquely a statement about the feeling . " The Pathétique Sonata is in C minor " is , as I have said , a superficial state- ment about the ...
Pagina xvii
... feeling . There is , of course , something highly fatuous , useless , and inordinately unmethodical about these qualitative ad- jectives for characterizing feeling . This is why we favor more precise vocabulary and methods for dealing ...
... feeling . There is , of course , something highly fatuous , useless , and inordinately unmethodical about these qualitative ad- jectives for characterizing feeling . This is why we favor more precise vocabulary and methods for dealing ...
Pagina 155
... feeling , consciously requiring this embodiment to become com- pletely and intelligibly any feeling at all , to become the in- tended full feeling only suggested in the artist's processes of experience and not defined until he has ...
... feeling , consciously requiring this embodiment to become com- pletely and intelligibly any feeling at all , to become the in- tended full feeling only suggested in the artist's processes of experience and not defined until he has ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words