Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 49
Pagina 112
... felt as specific temporal lengths temporally related , than the rigorously measured temporal patterns of musical composition . But there can hardly be any question as to there being a clearly felt temporal pattern in verse in just the ...
... felt as specific temporal lengths temporally related , than the rigorously measured temporal patterns of musical composition . But there can hardly be any question as to there being a clearly felt temporal pattern in verse in just the ...
Pagina 160
... felt like to the painter , or what the painter felt as capable of being em- bodied in a picture with a wall in it . This may look not very much like the wall , in seeing which this particular felt effect was stirred in him , to reach ...
... felt like to the painter , or what the painter felt as capable of being em- bodied in a picture with a wall in it . This may look not very much like the wall , in seeing which this particular felt effect was stirred in him , to reach ...
Pagina 199
... felt structural character , sometimes naming a quality felt at some time by some critic to be the key to all that is fine or great in art . If the terms used have a disparaging force , they in- dicate a more or less condemnatory ...
... felt structural character , sometimes naming a quality felt at some time by some critic to be the key to all that is fine or great in art . If the terms used have a disparaging force , they in- dicate a more or less condemnatory ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words