Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 30
Pagina xvii
... formal relations of a composition , or in terms of our feeling , we are talking about the same thing . The form is felt and the feel- ing is formal , and that is the he and the she of it . The ' he , ' however , is somewhat more ...
... formal relations of a composition , or in terms of our feeling , we are talking about the same thing . The form is felt and the feel- ing is formal , and that is the he and the she of it . The ' he , ' however , is somewhat more ...
Pagina 54
... formal nature in the same way from sound and color , these latter become purely formal too . It is the lack of full attention to what we mean by color contrast itself , as distinguished from the spatial presentation of such con- trast ...
... formal nature in the same way from sound and color , these latter become purely formal too . It is the lack of full attention to what we mean by color contrast itself , as distinguished from the spatial presentation of such con- trast ...
Pagina 109
... formal characteristics , susceptible by its very nature of exhibiting connection , pattern , and mean- ing in history , in daily life , in all occurrences , and hence in the occurrent sounds of music and verse . In fact time itself is ...
... formal characteristics , susceptible by its very nature of exhibiting connection , pattern , and mean- ing in history , in daily life , in all occurrences , and hence in the occurrent sounds of music and verse . In fact time itself is ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words